Art Archives

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NOAA Found Poetry

Beach Hazards Statement

POTENTIAL IMPACTS: INCREASED RISK OF RIP CURRENTS... SNEAKER
WAVES... AND LOCALLY LARGE SHORE BREAK. BEACHGOERS MAY BE
KNOCKED OVER... INJURED... OR PULLED OUT TO SEA INTO THE COLD
RESTLESS OCEAN.

Designing a knife block

Recently the what-can-I-optimize-next? gaze fell upon our knife block, but my exhaustive web searches for a suitable replacement came up empty. In the world of knife blocks, something with a smaller footprint and more capacity did not seem to exist. Once I’d reached the end of the internet-of-things-to-buy, I turned to Etsy, which I’ve started to use lately as a marketplace for custom-made goods. I’ll search for something, and if I’m lucky, there will be a “Request a custom order…” banner beneath an item I like. In this case, I found a design that inspired me made by a seller, Jimmy Essien of The Aurora Artisan, who was willing to work with me.

Maple Knife Block by Jimmy Essien of The Aurora Artisan
The knife block that got my wheels turning

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Colors of San Francisco

Racial Dot Map of San Francisco, by Dustin A. Cable
Racial Dot Map of San Francisco (source)

Got a lot of enjoyment out of this article in Wired, The Best Map Ever Made of America’s Racial Segregation.

Prints of paintings of my photos

So I’m browsing the shops along Valencia Saturday afternoon when I stumble upon some prints of Eric Rewitzer’s paintings of my container ship photos. The print on the right is one of my favorites—his rendition really transforms the photo I took while we were docked at the Port of Balboa in Panama City.

Eric Rewitzer's PANAMAX paintings of Justin Watt's container ship photos at Aggregate Supply
Annie and Eric’s artwork for sale at Aggregate Supply

Photogenic arch

We had a few hours to kill before my cousin’s wedding (in December), so Matthew and I decided to escape the hotel and visit the Gateway Arch. There was a momentary break in the clouds just after we arrived that created some really nice reflections on its stainless steel skin. I had the 35mm lens with me (instead of my usual 21mm), hence the tightly framed, almost abstract perspective of these shots.

St. Louis Gateway Arch

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